Raw footage in. Finished music video out.
Beat-synced cuts, transitions and effects — generated automatically, zero manual editing.

An artist dropped one MP3 and two raw iPhone clips into Videglow — no editing timeline, no manual cutting — and got back finished 3-minute, 1080p music videos cut to the track, in multiple styles, from the same upload.

276cuts auto-paced
to the track < 2 minhands-on time
per variation 3styles from
one upload 3:00finished 1080p
video

Before / After — 30 seconds

IXL — “2YOUNG”: raw clip vs Videglow output

Split-screen, same timeline window: left is what the artist shot, right is what Videglow shipped

BEFORE · AFTER

30-second comparison · no editing timeline, no manual cuts

One upload, one click each — three styles

FX Showcase

Punchy pace · cinematic look · trending FX — zoom punch, glitch, whip, flash, glow pulse, clone hits

TRANSITIONS EVERY 2 BARS

3:00 · seam FX land on phrase boundaries, never mid-sentence

Rapid Cut

Rapid pace · filmic look, drill-style · glitch clone + echo

TRANSITIONS EVERY BAR

3:00 · maximum energy, every cut on a downbeat

Phrase Cut

Chill pace · cinematic · smooth blends + soul pull + parallax

TRANSITIONS EVERY 4 BARS

3:00 · phrase-level pacing, cinematic breathing room

Musical intelligence, not a lucky prompt: decorative transitions are gated to the song's bar grid — per-bar, every 2, or every 4 bars. Section-boundary transitions snap to the nearest bar cut instead of chopping a bar mid-flow, so effects never interrupt the artist mid-sentence. Beat-cut pacing and lip-sync alignment are deterministic, every render.

The product flow

flowchart LR A["Upload
1 song + 2 clips"] --> B["Pick style
pace · look · bar interval"] B --> C["Hit Generate"] C --> D["Track analysis
beats · bars · energy · sections"] D --> E["Lip-sync alignment"] E --> F["Cuts paced
to the music"] F --> G["Grade + FX + render
1080p H.264"] G --> H["Download
finished video"]